Materials

Made of real things.

We begin every project with material. Stone, timber, metal and glass decide the feeling of a room long before the layout does.

Surfaces we use

Close-up of white marble with diagonal grey veining

Carrara marble

Stone

Soft grey veining on a white ground. Honed for a matt, tactile surface.

  • Oak
  • Brass
  • Warm plaster
Dark brown marble with a bold white vein across the stone

Dark marble

Stone

Deep brown and black stone with a bold white vein. Dramatic on a splashback or a basin.

  • Walnut
  • Brass
  • Matt lacquer
Pale travertine surface with soft brown pitting and warm beige tone

Travertine

Stone

Warm, fossil-textured limestone. Filled and honed for worktops and islands, so the surface is smooth under the hand.

  • Matt black
  • Linen
  • Walnut
Light oak veneer close-up with fine horizontal wood grain

Oak veneer

Timber

Open-grained and oiled, kind to fingerprints. Pale for lightness, smoked for depth.

  • Marble
  • Brass
  • Reeded glass
Amber fluted glass cabinet door with warm light behind

Reeded glass

Glass

Fluted glass for display cabinets. Softens what is behind and catches the light.

  • Oak
  • Dark lacquer
  • Brass
White marble surface with brown and grey veins

Veined stone

Stone

Warm veining in copper and grey on a pale ground. Used sparingly, as a feature.

  • Limestone
  • Brass
  • Cream

Material guide

Seven materials, in plain words.

What each one is like, where it works best and how to look after it. General guidance: the maker’s instructions for your own finish always come first.

Light oak veneer close-up with fine horizontal wood grain

01 · Timber

Oak

Character
Open-grained, warm and quietly varied. Oak takes oil well, hides small marks in its grain and deepens gently towards honey with light and time. It sits comfortably beside stone, plaster and brass.
Best used for
Cabinet fronts, drawer interiors, open shelves, oiled worktops and panelling. Veneered oak on a stable board suits large doors and tall units. Solid oak suits edges, shelves and worktops.
Care
Wipe with a soft, slightly damp cloth and dry. Keep standing water away from sinks and dishwashers. Refresh the oil from time to time on worktops, and sand light scratches along the grain.
Walnut-clad tall wall and white island kitchen with row of bar stools

02 · Timber

Walnut

Character
Darker, richer and more formal, with a grain that moves like water. Walnut gives a room weight and depth, and looks best against pale stone and soft light.
Best used for
Tall units, feature walls, islands, niches and shelves, where its depth can be read against calmer surfaces.
Care
Keep it out of long, direct sun, which lightens it slowly. Wipe spills quickly and dust often, because dark timber shows fine dust. Oil lightly if the finish is oiled.
Pale travertine surface with soft brown pitting and warm beige tone

03 · Stone

Limestone

Character
Soft, matt and warm, with a fine, even texture and gentle variation. Honed limestone is calm under the hand and suits plaster, oak and linen. Travertine is a related stone with a more pitted, fossil-textured surface.
Best used for
Islands, worktops and splashbacks in households that cook gently, and floors in the kitchen and the rooms around it. It needs sealing on the face and a gentle routine.
Care
Seal it, clean with a mild pH-neutral soap and keep acids and harsh cleaners away. Use boards and trivets. It marks more easily than harder stones, so wipe spills at once.
Close-up of white marble with diagonal grey veining

04 · Stone

Marble

Character
Veined, luminous and varied, from soft grey on white to dark stone with a bold white vein. Marble is soft, so acids etch a polished surface and it ages into a patina. A honed finish quietens the marks.
Best used for
Island ends, back walls and statement splashbacks. As a worktop, it suits households that accept a surface that changes.
Care
Wipe spills quickly, especially acids such as lemon, vinegar and wine. Clean with a pH-neutral soap, seal the surface and renew the seal when water stops beading. A specialist can hone out etching.
Charcoal matt kitchen with a lit oak niche above the worktop and a matching island, with no handles on the doors

05 · Painted finish

Lacquer

Character
A sprayed, painted finish in matt, satin or gloss, in almost any colour. It is smooth and even, and gives large flat fronts a calm, uniform surface. Gloss shows fingerprints, matt feels soft.
Best used for
Handleless fronts, tall units, wardrobes and deep colours that timber cannot give, such as charcoal, forest green or chalk.
Care
Use a soft cloth with warm water and mild soap. Avoid abrasive pads and solvents. Keep edges away from standing water. A damaged panel can often be re-sprayed.
Amber fluted glass cabinet door with warm light behind

06 · Glass

Glass

Character
Clear, tinted, reeded or fluted. Reeded glass softens what lies behind it and catches the light, and smoked or amber tints add warmth. It hides fingerprints better than a smooth pane.
Best used for
Display cabinets, sliding doors, splashbacks and lit niches.
Care
Clean with water and a drop of mild soap, or a glass cleaner, and a lint-free cloth. Brush the ribs gently to lift dust. In hard-water areas, wipe dry to avoid limescale spots.
Black swan neck tap and black sink on a dark worktop, ceramic cups in soft foreground

07 · Metal

Metal

Character
Brass, bronze, steel and aluminium sharpen a design. Brass and bronze darken to a soft patina, steel stays cool and precise, and powder-coated finishes are the most stable.
Best used for
Fine details: grip profiles, shelf edges, glass frames, niches, taps and handles.
Care
Clean with a soft cloth and mild soap and dry afterwards. Polish brass if you want it bright, or let the patina develop. Avoid abrasives on brushed finishes and acidic cleaners on any metal.

Care guide

Looking after what you choose.

A few habits do more than any product. Wipe spills early, dry what is wet, use boards and trivets, and test samples at home before you decide. For stone and oak in more detail, read the care article.

Everyday care, what to avoid and occasional care for each material
MaterialEvery dayAvoidNow and then
OakSoft, slightly damp cloth, then dryStanding water, steam from the dishwasher, hot pans on oiled timberRefresh the oil on worktops, sand light scratches with the grain
WalnutDust, then a soft damp clothLong direct sun, standing waterLight oiling if the finish is oiled
LimestoneSoft cloth, pH-neutral soap, rinse and dryAcids, bleach, limescale removers, abrasive padsTest for sealer with a few drops of water, reseal when it darkens the stone
MarbleSoft cloth, pH-neutral soap, rinse and dryLemon, vinegar, wine left on the surface, harsh cleanersReseal, and have a specialist hone out etching if it bothers you
LacquerSoft cloth, warm water, mild soapSolvents, abrasive pads, standing water at the edgesTouch up or re-spray a damaged panel
GlassWater with a drop of soap, lint-free clothAbrasive pads, leaving hard water to dry on the surfaceBrush the ribs of fluted glass to lift dust
MetalSoft cloth, mild soap, dryAbrasives on brushed finishes, acidic cleanersPolish brass if you want it bright, or leave the patina

See them in your light.

We bring physical samples to your home so you can judge each material where it will live.

Request samples